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		<id>https://www.shanpafoundation-resourcecenter.net/index.php?action=history&amp;feed=atom&amp;title=Kor_Nirupa</id>
		<title>Kor Nirupa - Revision history</title>
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		<updated>2026-04-29T13:30:47Z</updated>
		<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=24268&amp;oldid=prev</id>
		<title>Sengue at 15:33, 19 September 2024</title>
		<link rel="alternate" type="text/html" href="https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=24268&amp;oldid=prev"/>
				<updated>2024-09-19T15:33:22Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 15:33, 19 September 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. See [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html article].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. See [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html article].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the biography of Khyungpo Neljor, they met in [[Shomara]] before the first trip of Khyungpo Neljor to India. Kor Nirupa transmited him: ''phyag rgya chen po'i rtsa rgyud rab tu mi gnas pa / bshad rgyud bsam gyis mi khyab pa / gsang pa gnyis su med pa / rnyogs pa med pa / mtshan brjod / do ha / dgra nag gi rgyud sgrub thabs dang bcas pa / 'jigs byed kyi rgyud sgrub thabs dang bcas pa / ni ru pa'i skor gyi chos rnams ma lus pa''.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;་་་སྟོད་ལུང་ལ་ཡོང་། ལྷ་སར་བསྐོར། ཤོ་མ་རར་སྐོར་ནི་རུ་པའི་སྤྱན་སྔར་ཕྱིན་ནས། ཕྱག་རྒྱ་ཆེན་པོའི་རྩ་རྒྱུད་རབ་ཏུ་མི་གནས་པ། བཤད་རྒྱུད་བསམ་གྱིས་མི་ཁྱབ་པ། གསང་པ་གཉིས་སུ་མེད་པ། རྙོགས་པ་མེད་པ། མཚན་བརྗོད་དང་། དོ་ཧ་རྣམས་ཞུས། དགྲ་ནག་གི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། འཇིགས་བྱེད་ཀྱི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། ནི་རུ་པའི་སྐོར་གྱི་ཆོས་རྣམས་མ་ལུས་པ་ཞུས་སོ།&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the biography of Khyungpo Neljor, they met in [[Shomara]] before the first trip of Khyungpo Neljor to India. Kor Nirupa transmited him: ''phyag rgya chen po'i rtsa rgyud rab tu mi gnas pa / bshad rgyud bsam gyis mi khyab pa / gsang pa gnyis su med pa / rnyogs pa med pa / mtshan brjod / do ha / dgra nag gi rgyud sgrub thabs dang bcas pa / 'jigs byed kyi rgyud sgrub thabs dang bcas pa / ni ru pa'i skor gyi chos rnams ma lus pa''.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;་་་སྟོད་ལུང་ལ་ཡོང་། ལྷ་སར་བསྐོར། ཤོ་མ་རར་སྐོར་ནི་རུ་པའི་སྤྱན་སྔར་ཕྱིན་ནས། ཕྱག་རྒྱ་ཆེན་པོའི་རྩ་རྒྱུད་རབ་ཏུ་མི་གནས་པ། བཤད་རྒྱུད་བསམ་གྱིས་མི་ཁྱབ་པ། གསང་པ་གཉིས་སུ་མེད་པ། རྙོགས་པ་མེད་པ། མཚན་བརྗོད་དང་། དོ་ཧ་རྣམས་ཞུས། དགྲ་ནག་གི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། འཇིགས་བྱེད་ཀྱི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། ནི་རུ་པའི་སྐོར་གྱི་ཆོས་རྣམས་མ་ལུས་པ་ཞུས་སོ།&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I received from Kor Nirupa: The root-tantra of Mahâmudrâ (entitled) [https://hridayartha.blogspot.com/2015/12/le-rab-tu-mi-gnas-pai-rgyud-un-tantra.html ''The Completely Non-Dwelling''] and its explanatory tantra: ''The Inconceivable'' ([https://hridayartha.blogspot.com/2012/04/linconcevable-bipartite.html ''acintyādvaya'']), ''The Nondual Secret'' (or ''gsang ba bla na med pa''?), ''The Untainted'' (''śrī anāvila tantra raja''), ''The Recitation of the Names'', (''mañjuśrīnāmasamgīti'' [https://read.84000.co/translation/toh360.html Toh 360]), some dohas, ''The Tantra of Black Yamāri'', (''kṛṣnayamāritantra'' [https://read.84000.co/translation/toh467.html Toh 467] or [https://read.84000.co/translation/toh469.html Toh 469?]) and its sadhana, the ''Tantra of Bhairava'' (''bhairavatantra'', [https://read.84000.co/translation/toh468.html Toh 468] or [https://read.84000.co/translation/toh470.html Toh 470?]) and its sadhana, as well as the whole of his own cycle of teachings.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I received from Kor Nirupa: The root-tantra of Mahâmudrâ (entitled) [https://hridayartha.blogspot.com/2015/12/le-rab-tu-mi-gnas-pai-rgyud-un-tantra.html ''The Completely Non-Dwelling''] and its explanatory tantra: ''The Inconceivable'' ([https://hridayartha.blogspot.com/2012/04/linconcevable-bipartite.html ''acintyādvaya'']), ''The Nondual Secret'' (or ''gsang ba bla na med pa''?), ''The Untainted'' (''śrī anāvila tantra raja''), ''The Recitation of the Names'', (''mañjuśrīnāmasamgīti'' [https://read.84000.co/translation/toh360.html Toh 360]), some dohas, ''The Tantra of Black Yamāri'', (''kṛṣnayamāritantra'' [https://read.84000.co/translation/toh467.html Toh 467] or [https://read.84000.co/translation/toh469.html Toh 469?]) and its sadhana, the ''Tantra of Bhairava'' (''bhairavatantra'', [https://read.84000.co/translation/toh468.html Toh 468] or [https://read.84000.co/translation/toh470.html Toh 470?]) and its sadhana, as well as the whole of his own cycle of teachings.&amp;quot;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;Concerning the controversy over Kor Nirupa, see [https://hridayartha.blogspot.com/2020/04/ Joy Vriens].&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Students=Khyungpo Neljor&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Students=Khyungpo Neljor&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sengue</name></author>	</entry>

	<entry>
		<id>https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=24267&amp;oldid=prev</id>
		<title>Sengue at 15:21, 19 September 2024</title>
		<link rel="alternate" type="text/html" href="https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=24267&amp;oldid=prev"/>
				<updated>2024-09-19T15:21:44Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 15:21, 19 September 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. See [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html article].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. See [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html article].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the biography of Khyungpo Neljor, they met in [[Shomara]] before the first trip of Khyungpo Neljor to India. Kor Nirupa transmited him: ''phyag rgya chen po'i rtsa rgyud rab tu mi gnas pa / bshad rgyud bsam gyis mi khyab pa / gsang pa gnyis su med pa / rnyogs pa med pa / mtshan brjod / do ha / dgra nag gi rgyud sgrub thabs dang bcas pa / 'jigs byed kyi rgyud sgrub thabs dang bcas pa / ni ru pa'i skor gyi chos rnams ma lus pa''.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;་་་སྟོད་ལུང་ལ་ཡོང་། ལྷ་སར་བསྐོར། ཤོ་མ་རར་སྐོར་ནི་རུ་པའི་སྤྱན་སྔར་ཕྱིན་ནས། ཕྱག་རྒྱ་ཆེན་པོའི་རྩ་རྒྱུད་རབ་ཏུ་མི་གནས་པ། བཤད་རྒྱུད་བསམ་གྱིས་མི་ཁྱབ་པ། གསང་པ་གཉིས་སུ་མེད་པ། རྙོགས་པ་མེད་པ། མཚན་བརྗོད་དང་། དོ་ཧ་རྣམས་ཞུས། དགྲ་ནག་གི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། འཇིགས་བྱེད་ཀྱི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། ནི་རུ་པའི་སྐོར་གྱི་ཆོས་རྣམས་མ་ལུས་པ་ཞུས་སོ།&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the biography of Khyungpo Neljor, they met in [[Shomara]] before the first trip of Khyungpo Neljor to India. Kor Nirupa transmited him: ''phyag rgya chen po'i rtsa rgyud rab tu mi gnas pa / bshad rgyud bsam gyis mi khyab pa / gsang pa gnyis su med pa / rnyogs pa med pa / mtshan brjod / do ha / dgra nag gi rgyud sgrub thabs dang bcas pa / 'jigs byed kyi rgyud sgrub thabs dang bcas pa / ni ru pa'i skor gyi chos rnams ma lus pa''.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;་་་སྟོད་ལུང་ལ་ཡོང་། ལྷ་སར་བསྐོར། ཤོ་མ་རར་སྐོར་ནི་རུ་པའི་སྤྱན་སྔར་ཕྱིན་ནས། ཕྱག་རྒྱ་ཆེན་པོའི་རྩ་རྒྱུད་རབ་ཏུ་མི་གནས་པ། བཤད་རྒྱུད་བསམ་གྱིས་མི་ཁྱབ་པ། གསང་པ་གཉིས་སུ་མེད་པ། རྙོགས་པ་མེད་པ། མཚན་བརྗོད་དང་། དོ་ཧ་རྣམས་ཞུས། དགྲ་ནག་གི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། འཇིགས་བྱེད་ཀྱི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། ནི་རུ་པའི་སྐོར་གྱི་ཆོས་རྣམས་མ་ལུས་པ་ཞུས་སོ།&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I received from Kor Nirupa: The root-tantra of Mahâmudrâ (entitled) [https://hridayartha.blogspot.com/2015/12/le-rab-tu-mi-gnas-pai-rgyud-un-tantra.html ''The Completely Non-Dwelling''] and its explanatory tantra: ''The Inconceivable'' ([https://hridayartha.blogspot.com/2012/04/linconcevable-bipartite.html ''acintyādvaya'']), ''The Nondual Secret'' (or ''gsang ba bla na med pa''?), ''The Untainted'' (''anāvila''), ''The Recitation of the Names'', (''mañjuśrīnāmasamgīti'' [https://read.84000.co/translation/toh360.html Toh 360]), some dohas, ''The Tantra of Black Yamāri'', (''kṛṣnayamāritantra'' [https://read.84000.co/translation/toh467.html Toh 467] or [https://read.84000.co/translation/toh469.html Toh 469?]) and its sadhana, the ''Tantra of Bhairava'' (''bhairavatantra'', [https://read.84000.co/translation/toh468.html Toh 468] or [https://read.84000.co/translation/toh470.html Toh 470?]) and its sadhana, as well as the whole of his own cycle of teachings.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I received from Kor Nirupa: The root-tantra of Mahâmudrâ (entitled) [https://hridayartha.blogspot.com/2015/12/le-rab-tu-mi-gnas-pai-rgyud-un-tantra.html ''The Completely Non-Dwelling''] and its explanatory tantra: ''The Inconceivable'' ([https://hridayartha.blogspot.com/2012/04/linconcevable-bipartite.html ''acintyādvaya'']), ''The Nondual Secret'' (or ''gsang ba bla na med pa''?), ''The Untainted'' (''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;śrī &lt;/ins&gt;anāvila &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;tantra raja&lt;/ins&gt;''), ''The Recitation of the Names'', (''mañjuśrīnāmasamgīti'' [https://read.84000.co/translation/toh360.html Toh 360]), some dohas, ''The Tantra of Black Yamāri'', (''kṛṣnayamāritantra'' [https://read.84000.co/translation/toh467.html Toh 467] or [https://read.84000.co/translation/toh469.html Toh 469?]) and its sadhana, the ''Tantra of Bhairava'' (''bhairavatantra'', [https://read.84000.co/translation/toh468.html Toh 468] or [https://read.84000.co/translation/toh470.html Toh 470?]) and its sadhana, as well as the whole of his own cycle of teachings.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Students=Khyungpo Neljor&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Students=Khyungpo Neljor&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sengue</name></author>	</entry>

	<entry>
		<id>https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=24266&amp;oldid=prev</id>
		<title>Sengue at 15:19, 19 September 2024</title>
		<link rel="alternate" type="text/html" href="https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=24266&amp;oldid=prev"/>
				<updated>2024-09-19T15:19:05Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 15:19, 19 September 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. See [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html article].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. See [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html article].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the biography of Khyungpo Neljor, they met in [[Shomara]] before the first trip of Khyungpo Neljor to India. Kor Nirupa transmited him: ''phyag rgya chen po'i rtsa rgyud rab tu mi gnas pa / bshad rgyud bsam gyis mi khyab pa / gsang pa gnyis su med pa / rnyogs pa med pa / mtshan brjod / do ha / dgra nag gi rgyud sgrub thabs dang bcas pa / 'jigs byed kyi rgyud sgrub thabs dang bcas pa / ni ru pa'i skor gyi chos rnams ma lus pa''.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;་་་སྟོད་ལུང་ལ་ཡོང་། ལྷ་སར་བསྐོར། ཤོ་མ་རར་སྐོར་ནི་རུ་པའི་སྤྱན་སྔར་ཕྱིན་ནས། ཕྱག་རྒྱ་ཆེན་པོའི་རྩ་རྒྱུད་རབ་ཏུ་མི་གནས་པ། བཤད་རྒྱུད་བསམ་གྱིས་མི་ཁྱབ་པ། གསང་པ་གཉིས་སུ་མེད་པ། རྙོགས་པ་མེད་པ། མཚན་བརྗོད་དང་། དོ་ཧ་རྣམས་ཞུས། དགྲ་ནག་གི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། འཇིགས་བྱེད་ཀྱི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། ནི་རུ་པའི་སྐོར་གྱི་ཆོས་རྣམས་མ་ལུས་པ་ཞུས་སོ།&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the biography of Khyungpo Neljor, they met in [[Shomara]] before the first trip of Khyungpo Neljor to India. Kor Nirupa transmited him: ''phyag rgya chen po'i rtsa rgyud rab tu mi gnas pa / bshad rgyud bsam gyis mi khyab pa / gsang pa gnyis su med pa / rnyogs pa med pa / mtshan brjod / do ha / dgra nag gi rgyud sgrub thabs dang bcas pa / 'jigs byed kyi rgyud sgrub thabs dang bcas pa / ni ru pa'i skor gyi chos rnams ma lus pa''.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;་་་སྟོད་ལུང་ལ་ཡོང་། ལྷ་སར་བསྐོར། ཤོ་མ་རར་སྐོར་ནི་རུ་པའི་སྤྱན་སྔར་ཕྱིན་ནས། ཕྱག་རྒྱ་ཆེན་པོའི་རྩ་རྒྱུད་རབ་ཏུ་མི་གནས་པ། བཤད་རྒྱུད་བསམ་གྱིས་མི་ཁྱབ་པ། གསང་པ་གཉིས་སུ་མེད་པ། རྙོགས་པ་མེད་པ། མཚན་བརྗོད་དང་། དོ་ཧ་རྣམས་ཞུས། དགྲ་ནག་གི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། འཇིགས་བྱེད་ཀྱི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། ནི་རུ་པའི་སྐོར་གྱི་ཆོས་རྣམས་མ་ལུས་པ་ཞུས་སོ།&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I received from Kor Nirupa: The root-tantra of Mahâmudrâ (entitled) [https://hridayartha.blogspot.com/2015/12/le-rab-tu-mi-gnas-pai-rgyud-un-tantra.html ''The Completely Non-Dwelling''] and its explanatory tantra: ''The Inconceivable'' ([https://hridayartha.blogspot.com/2012/04/linconcevable-bipartite.html ''acintyādvaya'']), ''The Nondual Secret'' (or ''gsang ba bla na med pa''?), ''The Untainted'' (''anāvila''), ''The &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;recitation &lt;/del&gt;of the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;names&lt;/del&gt;'', (''mañjuśrīnāmasamgīti'' [https://read.84000.co/translation/toh360.html Toh 360]), some dohas, ''The Tantra of Black Yamāri'', (''kṛṣnayamāritantra'' [https://read.84000.co/translation/toh467.html Toh 467] or [https://read.84000.co/translation/toh469.html Toh 469?]) and its sadhana, the ''Tantra of Bhairava'' (''bhairavatantra'', [https://read.84000.co/translation/toh468.html Toh 468] or [https://read.84000.co/translation/toh470.html Toh 470?]) and its sadhana, as well as the whole of his own cycle of teachings.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I received from Kor Nirupa: The root-tantra of Mahâmudrâ (entitled) [https://hridayartha.blogspot.com/2015/12/le-rab-tu-mi-gnas-pai-rgyud-un-tantra.html ''The Completely Non-Dwelling''] and its explanatory tantra: ''The Inconceivable'' ([https://hridayartha.blogspot.com/2012/04/linconcevable-bipartite.html ''acintyādvaya'']), ''The Nondual Secret'' (or ''gsang ba bla na med pa''?), ''The Untainted'' (''anāvila''), ''The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Recitation &lt;/ins&gt;of the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Names&lt;/ins&gt;'', (''mañjuśrīnāmasamgīti'' [https://read.84000.co/translation/toh360.html Toh 360]), some dohas, ''The Tantra of Black Yamāri'', (''kṛṣnayamāritantra'' [https://read.84000.co/translation/toh467.html Toh 467] or [https://read.84000.co/translation/toh469.html Toh 469?]) and its sadhana, the ''Tantra of Bhairava'' (''bhairavatantra'', [https://read.84000.co/translation/toh468.html Toh 468] or [https://read.84000.co/translation/toh470.html Toh 470?]) and its sadhana, as well as the whole of his own cycle of teachings.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Students=Khyungpo Neljor&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Students=Khyungpo Neljor&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sengue</name></author>	</entry>

	<entry>
		<id>https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=24228&amp;oldid=prev</id>
		<title>Sengue at 15:06, 18 September 2024</title>
		<link rel="alternate" type="text/html" href="https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=24228&amp;oldid=prev"/>
				<updated>2024-09-18T15:06:19Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 15:06, 18 September 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
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&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. See [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html article].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. See [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html article].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the biography of Khyungpo Neljor, they met in [[Shomara]] before the first trip of Khyungpo Neljor to India. Kor Nirupa transmited him: ''phyag rgya chen po'i rtsa rgyud rab tu mi gnas pa / bshad rgyud bsam gyis mi khyab pa / gsang pa gnyis su med pa / rnyogs pa med pa / mtshan brjod / do ha / dgra nag gi rgyud sgrub thabs dang bcas pa / 'jigs byed kyi rgyud sgrub thabs dang bcas pa / ni ru pa'i skor gyi chos rnams ma lus pa''.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;་་་སྟོད་ལུང་ལ་ཡོང་། ལྷ་སར་བསྐོར། ཤོ་མ་རར་སྐོར་ནི་རུ་པའི་སྤྱན་སྔར་ཕྱིན་ནས། ཕྱག་རྒྱ་ཆེན་པོའི་རྩ་རྒྱུད་རབ་ཏུ་མི་གནས་པ། བཤད་རྒྱུད་བསམ་གྱིས་མི་ཁྱབ་པ། གསང་པ་གཉིས་སུ་མེད་པ། རྙོགས་པ་མེད་པ། མཚན་བརྗོད་དང་། དོ་ཧ་རྣམས་ཞུས། དགྲ་ནག་གི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། འཇིགས་བྱེད་ཀྱི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། ནི་རུ་པའི་སྐོར་གྱི་ཆོས་རྣམས་མ་ལུས་པ་ཞུས་སོ།&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the biography of Khyungpo Neljor, they met in [[Shomara]] before the first trip of Khyungpo Neljor to India. Kor Nirupa transmited him: ''phyag rgya chen po'i rtsa rgyud rab tu mi gnas pa / bshad rgyud bsam gyis mi khyab pa / gsang pa gnyis su med pa / rnyogs pa med pa / mtshan brjod / do ha / dgra nag gi rgyud sgrub thabs dang bcas pa / 'jigs byed kyi rgyud sgrub thabs dang bcas pa / ni ru pa'i skor gyi chos rnams ma lus pa''.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;་་་སྟོད་ལུང་ལ་ཡོང་། ལྷ་སར་བསྐོར། ཤོ་མ་རར་སྐོར་ནི་རུ་པའི་སྤྱན་སྔར་ཕྱིན་ནས། ཕྱག་རྒྱ་ཆེན་པོའི་རྩ་རྒྱུད་རབ་ཏུ་མི་གནས་པ། བཤད་རྒྱུད་བསམ་གྱིས་མི་ཁྱབ་པ། གསང་པ་གཉིས་སུ་མེད་པ། རྙོགས་པ་མེད་པ། མཚན་བརྗོད་དང་། དོ་ཧ་རྣམས་ཞུས། དགྲ་ནག་གི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། འཇིགས་བྱེད་ཀྱི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། ནི་རུ་པའི་སྐོར་གྱི་ཆོས་རྣམས་མ་ལུས་པ་ཞུས་སོ།&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I received from Kor Nirupa: The root-tantra of Mahâmudrâ (entitled) [https://hridayartha.blogspot.com/2015/12/le-rab-tu-mi-gnas-pai-rgyud-un-tantra.html ''The Completely Non-Dwelling''] and its explanatory tantra: ''The Inconceivable'' ([https://hridayartha.blogspot.com/2012/04/linconcevable-bipartite.html ''acintyādvaya'']), ''The Nondual Secret'' (or ''gsang ba bla na med pa''?), ''The Untainted'' (''anāvila''), ''The recitation of the names'' (''mañjuśrīnāmasamgīti'' [https://read.84000.co/translation/toh360.html Toh 360]), some dohas, ''The Tantra of Black Yamāri'' (''kṛṣnayamāritantra'' [https://read.84000.co/translation/toh467.html Toh 467] or [https://read.84000.co/translation/toh469.html Toh 469?]) and its sadhana, the ''Tantra of Bhairava'' (''bhairavatantra'' [https://read.84000.co/translation/toh468.html Toh 468] or [https://read.84000.co/translation/toh470.html Toh 470?]) and its sadhana, as well as the whole of his own cycle of teachings.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I received from Kor Nirupa: The root-tantra of Mahâmudrâ (entitled) [https://hridayartha.blogspot.com/2015/12/le-rab-tu-mi-gnas-pai-rgyud-un-tantra.html ''The Completely Non-Dwelling''] and its explanatory tantra: ''The Inconceivable'' ([https://hridayartha.blogspot.com/2012/04/linconcevable-bipartite.html ''acintyādvaya'']), ''The Nondual Secret'' (or ''gsang ba bla na med pa''?), ''The Untainted'' (''anāvila''), ''The recitation of the names''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;(''mañjuśrīnāmasamgīti'' [https://read.84000.co/translation/toh360.html Toh 360]), some dohas, ''The Tantra of Black Yamāri''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;(''kṛṣnayamāritantra'' [https://read.84000.co/translation/toh467.html Toh 467] or [https://read.84000.co/translation/toh469.html Toh 469?]) and its sadhana, the ''Tantra of Bhairava'' (''bhairavatantra''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;[https://read.84000.co/translation/toh468.html Toh 468] or [https://read.84000.co/translation/toh470.html Toh 470?]) and its sadhana, as well as the whole of his own cycle of teachings.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Students=Khyungpo Neljor&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Students=Khyungpo Neljor&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sengue</name></author>	</entry>

	<entry>
		<id>https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=24216&amp;oldid=prev</id>
		<title>Sengue at 20:34, 17 September 2024</title>
		<link rel="alternate" type="text/html" href="https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=24216&amp;oldid=prev"/>
				<updated>2024-09-17T20:34:56Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 20:34, 17 September 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. See [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html article].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. See [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html article].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the biography of Khyungpo Neljor, they met in [[Shomara]] before the first trip of Khyungpo Neljor to India. Kor Nirupa transmited him: ''phyag rgya chen po'i rtsa rgyud rab tu mi gnas pa / bshad rgyud bsam gyis mi khyab pa / gsang pa gnyis su med pa / rnyogs pa med pa / mtshan brjod / do ha / dgra nag gi rgyud sgrub thabs dang bcas pa / 'jigs byed kyi rgyud sgrub thabs dang bcas pa / ni ru pa'i skor gyi chos rnams ma lus pa''.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;་་་སྟོད་ལུང་ལ་ཡོང་། ལྷ་སར་བསྐོར། ཤོ་མ་རར་སྐོར་ནི་རུ་པའི་སྤྱན་སྔར་ཕྱིན་ནས། ཕྱག་རྒྱ་ཆེན་པོའི་རྩ་རྒྱུད་རབ་ཏུ་མི་གནས་པ། བཤད་རྒྱུད་བསམ་གྱིས་མི་ཁྱབ་པ། གསང་པ་གཉིས་སུ་མེད་པ། རྙོགས་པ་མེད་པ། མཚན་བརྗོད་དང་། དོ་ཧ་རྣམས་ཞུས། དགྲ་ནག་གི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། འཇིགས་བྱེད་ཀྱི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། ནི་རུ་པའི་སྐོར་གྱི་ཆོས་རྣམས་མ་ལུས་པ་ཞུས་སོ།&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the biography of Khyungpo Neljor, they met in [[Shomara]] before the first trip of Khyungpo Neljor to India. Kor Nirupa transmited him: ''phyag rgya chen po'i rtsa rgyud rab tu mi gnas pa / bshad rgyud bsam gyis mi khyab pa / gsang pa gnyis su med pa / rnyogs pa med pa / mtshan brjod / do ha / dgra nag gi rgyud sgrub thabs dang bcas pa / 'jigs byed kyi rgyud sgrub thabs dang bcas pa / ni ru pa'i skor gyi chos rnams ma lus pa''.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;་་་སྟོད་ལུང་ལ་ཡོང་། ལྷ་སར་བསྐོར། ཤོ་མ་རར་སྐོར་ནི་རུ་པའི་སྤྱན་སྔར་ཕྱིན་ནས། ཕྱག་རྒྱ་ཆེན་པོའི་རྩ་རྒྱུད་རབ་ཏུ་མི་གནས་པ། བཤད་རྒྱུད་བསམ་གྱིས་མི་ཁྱབ་པ། གསང་པ་གཉིས་སུ་མེད་པ། རྙོགས་པ་མེད་པ། མཚན་བརྗོད་དང་། དོ་ཧ་རྣམས་ཞུས། དགྲ་ནག་གི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། འཇིགས་བྱེད་ཀྱི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། ནི་རུ་པའི་སྐོར་གྱི་ཆོས་རྣམས་མ་ལུས་པ་ཞུས་སོ།&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I received from Kor Nirupa: The &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;source&lt;/del&gt;-tantra of Mahâmudrâ (entitled) [https://hridayartha.blogspot.com/2015/12/le-rab-tu-mi-gnas-pai-rgyud-un-tantra.html ''The Completely Non-Dwelling''] and its explanatory tantra: ''The Inconceivable'' ([https://hridayartha.blogspot.com/2012/04/linconcevable-bipartite.html ''acintyādvaya'']), ''The Nondual Secret'' (or ''gsang ba bla na med pa''?), ''The Untainted'' (''anāvila''), ''The recitation of the names'' (''mañjuśrīnāmasamgīti'' [https://read.84000.co/translation/toh360.html Toh 360]), some dohas, ''The Tantra of Black Yamāri'' (''kṛṣnayamāritantra'' [https://read.84000.co/translation/toh467.html Toh 467] or [https://read.84000.co/translation/toh469.html Toh 469?]) and its sadhana, the ''Tantra of Bhairava'' (''bhairavatantra'' [https://read.84000.co/translation/toh468.html Toh 468] or [https://read.84000.co/translation/toh470.html Toh 470?]) and its sadhana, as well as the whole of his own cycle of teachings.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I received from Kor Nirupa: The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;root&lt;/ins&gt;-tantra of Mahâmudrâ (entitled) [https://hridayartha.blogspot.com/2015/12/le-rab-tu-mi-gnas-pai-rgyud-un-tantra.html ''The Completely Non-Dwelling''] and its explanatory tantra: ''The Inconceivable'' ([https://hridayartha.blogspot.com/2012/04/linconcevable-bipartite.html ''acintyādvaya'']), ''The Nondual Secret'' (or ''gsang ba bla na med pa''?), ''The Untainted'' (''anāvila''), ''The recitation of the names'' (''mañjuśrīnāmasamgīti'' [https://read.84000.co/translation/toh360.html Toh 360]), some dohas, ''The Tantra of Black Yamāri'' (''kṛṣnayamāritantra'' [https://read.84000.co/translation/toh467.html Toh 467] or [https://read.84000.co/translation/toh469.html Toh 469?]) and its sadhana, the ''Tantra of Bhairava'' (''bhairavatantra'' [https://read.84000.co/translation/toh468.html Toh 468] or [https://read.84000.co/translation/toh470.html Toh 470?]) and its sadhana, as well as the whole of his own cycle of teachings.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Students=Khyungpo Neljor&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Students=Khyungpo Neljor&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sengue</name></author>	</entry>

	<entry>
		<id>https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=24215&amp;oldid=prev</id>
		<title>Sengue at 20:34, 17 September 2024</title>
		<link rel="alternate" type="text/html" href="https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=24215&amp;oldid=prev"/>
				<updated>2024-09-17T20:34:29Z</updated>
		
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 20:34, 17 September 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. See [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html article].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. See [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html article].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the biography of Khyungpo Neljor, they met in [[Shomara]] before the first trip of Khyungpo Neljor to India. Kor Nirupa transmited him: ''phyag rgya chen po'i rtsa rgyud rab tu mi gnas pa / bshad rgyud bsam gyis mi khyab pa / gsang pa gnyis su med pa / rnyogs pa med pa / mtshan brjod / do ha / dgra nag gi rgyud sgrub thabs dang bcas pa / 'jigs byed kyi rgyud sgrub thabs dang bcas pa / ni ru pa'i skor gyi chos rnams ma lus pa''.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;་་་སྟོད་ལུང་ལ་ཡོང་། ལྷ་སར་བསྐོར། ཤོ་མ་རར་སྐོར་ནི་རུ་པའི་སྤྱན་སྔར་ཕྱིན་ནས། ཕྱག་རྒྱ་ཆེན་པོའི་རྩ་རྒྱུད་རབ་ཏུ་མི་གནས་པ། བཤད་རྒྱུད་བསམ་གྱིས་མི་ཁྱབ་པ། གསང་པ་གཉིས་སུ་མེད་པ། རྙོགས་པ་མེད་པ། མཚན་བརྗོད་དང་། དོ་ཧ་རྣམས་ཞུས། དགྲ་ནག་གི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། འཇིགས་བྱེད་ཀྱི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། ནི་རུ་པའི་སྐོར་གྱི་ཆོས་རྣམས་མ་ལུས་པ་ཞུས་སོ།&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the biography of Khyungpo Neljor, they met in [[Shomara]] before the first trip of Khyungpo Neljor to India. Kor Nirupa transmited him: ''phyag rgya chen po'i rtsa rgyud rab tu mi gnas pa / bshad rgyud bsam gyis mi khyab pa / gsang pa gnyis su med pa / rnyogs pa med pa / mtshan brjod / do ha / dgra nag gi rgyud sgrub thabs dang bcas pa / 'jigs byed kyi rgyud sgrub thabs dang bcas pa / ni ru pa'i skor gyi chos rnams ma lus pa''.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;་་་སྟོད་ལུང་ལ་ཡོང་། ལྷ་སར་བསྐོར། ཤོ་མ་རར་སྐོར་ནི་རུ་པའི་སྤྱན་སྔར་ཕྱིན་ནས། ཕྱག་རྒྱ་ཆེན་པོའི་རྩ་རྒྱུད་རབ་ཏུ་མི་གནས་པ། བཤད་རྒྱུད་བསམ་གྱིས་མི་ཁྱབ་པ། གསང་པ་གཉིས་སུ་མེད་པ། རྙོགས་པ་མེད་པ། མཚན་བརྗོད་དང་། དོ་ཧ་རྣམས་ཞུས། དགྲ་ནག་གི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། འཇིགས་བྱེད་ཀྱི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། ནི་རུ་པའི་སྐོར་གྱི་ཆོས་རྣམས་མ་ལུས་པ་ཞུས་སོ།&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I received from Kor Nirupa: The source-tantra of Mahâmudrâ entitled [https://hridayartha.blogspot.com/2015/12/le-rab-tu-mi-gnas-pai-rgyud-un-tantra.html ''The Completely Non-Dwelling''] and its explanatory tantra: ''The Inconceivable'' ([https://hridayartha.blogspot.com/2012/04/linconcevable-bipartite.html ''acintyādvaya'']), ''The Nondual Secret'' (or ''gsang ba bla na med pa''?), ''The Untainted'' (''anāvila''), ''The recitation of the names'' (''mañjuśrīnāmasamgīti'' [https://read.84000.co/translation/toh360.html Toh 360]), some dohas, ''The Tantra of Black Yamāri'' (''kṛṣnayamāritantra'' [https://read.84000.co/translation/toh467.html Toh 467] or [https://read.84000.co/translation/toh469.html Toh 469?]) and its sadhana, the ''Tantra of Bhairava'' (''bhairavatantra'' [https://read.84000.co/translation/toh468.html Toh 468] or [https://read.84000.co/translation/toh470.html Toh 470?]) and its sadhana, as well as the whole of his own cycle of teachings.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I received from Kor Nirupa: The source-tantra of Mahâmudrâ &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(&lt;/ins&gt;entitled&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;) &lt;/ins&gt;[https://hridayartha.blogspot.com/2015/12/le-rab-tu-mi-gnas-pai-rgyud-un-tantra.html ''The Completely Non-Dwelling''] and its explanatory tantra: ''The Inconceivable'' ([https://hridayartha.blogspot.com/2012/04/linconcevable-bipartite.html ''acintyādvaya'']), ''The Nondual Secret'' (or ''gsang ba bla na med pa''?), ''The Untainted'' (''anāvila''), ''The recitation of the names'' (''mañjuśrīnāmasamgīti'' [https://read.84000.co/translation/toh360.html Toh 360]), some dohas, ''The Tantra of Black Yamāri'' (''kṛṣnayamāritantra'' [https://read.84000.co/translation/toh467.html Toh 467] or [https://read.84000.co/translation/toh469.html Toh 469?]) and its sadhana, the ''Tantra of Bhairava'' (''bhairavatantra'' [https://read.84000.co/translation/toh468.html Toh 468] or [https://read.84000.co/translation/toh470.html Toh 470?]) and its sadhana, as well as the whole of his own cycle of teachings.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Students=Khyungpo Neljor&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Students=Khyungpo Neljor&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sengue</name></author>	</entry>

	<entry>
		<id>https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=24059&amp;oldid=prev</id>
		<title>Sengue at 16:39, 15 September 2024</title>
		<link rel="alternate" type="text/html" href="https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=24059&amp;oldid=prev"/>
				<updated>2024-09-15T16:39:56Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr style=&quot;vertical-align: top;&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 16:39, 15 September 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|PersonID=P148&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|PersonID=P148&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Date of Birth=10~11th c.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Date of Birth=10~11th c.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Name Variants=kor ni ru pa,skor ni ru pa,skor ni rU pa,kor nirūpa&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Name Variants=kor ni ru pa,skor ni ru pa,skor ni rU pa,kor nirūpa&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;,bskor ne ru pa&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|PersonClassification=11th–13th&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|PersonClassification=11th–13th&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. See [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html article].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. See [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html article].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sengue</name></author>	</entry>

	<entry>
		<id>https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=24055&amp;oldid=prev</id>
		<title>Sengue at 16:30, 15 September 2024</title>
		<link rel="alternate" type="text/html" href="https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=24055&amp;oldid=prev"/>
				<updated>2024-09-15T16:30:25Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr style=&quot;vertical-align: top;&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 16:30, 15 September 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. See [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html article].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. See [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html article].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the biography of Khyungpo Neljor, they met in [[Shomara]] before the first trip of Khyungpo Neljor to India. Kor Nirupa transmited him: ''phyag rgya chen po'i rtsa rgyud rab tu mi gnas pa / bshad rgyud bsam gyis mi khyab pa / gsang pa gnyis su med pa / rnyogs pa med pa / mtshan brjod / do ha / dgra nag gi rgyud sgrub thabs dang bcas pa / 'jigs byed kyi rgyud sgrub thabs dang bcas pa / ni ru pa'i skor gyi chos rnams ma lus pa''.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;་་་སྟོད་ལུང་ལ་ཡོང་། ལྷ་སར་བསྐོར། ཤོ་མ་རར་སྐོར་ནི་རུ་པའི་སྤྱན་སྔར་ཕྱིན་ནས། ཕྱག་རྒྱ་ཆེན་པོའི་རྩ་རྒྱུད་རབ་ཏུ་མི་གནས་པ། བཤད་རྒྱུད་བསམ་གྱིས་མི་ཁྱབ་པ། གསང་པ་གཉིས་སུ་མེད་པ། རྙོགས་པ་མེད་པ། མཚན་བརྗོད་དང་། དོ་ཧ་རྣམས་ཞུས། དགྲ་ནག་གི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། འཇིགས་བྱེད་ཀྱི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། ནི་རུ་པའི་སྐོར་གྱི་ཆོས་རྣམས་མ་ལུས་པ་ཞུས་སོ།&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the biography of Khyungpo Neljor, they met in [[Shomara]] before the first trip of Khyungpo Neljor to India. Kor Nirupa transmited him: ''phyag rgya chen po'i rtsa rgyud rab tu mi gnas pa / bshad rgyud bsam gyis mi khyab pa / gsang pa gnyis su med pa / rnyogs pa med pa / mtshan brjod / do ha / dgra nag gi rgyud sgrub thabs dang bcas pa / 'jigs byed kyi rgyud sgrub thabs dang bcas pa / ni ru pa'i skor gyi chos rnams ma lus pa''.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;་་་སྟོད་ལུང་ལ་ཡོང་། ལྷ་སར་བསྐོར། ཤོ་མ་རར་སྐོར་ནི་རུ་པའི་སྤྱན་སྔར་ཕྱིན་ནས། ཕྱག་རྒྱ་ཆེན་པོའི་རྩ་རྒྱུད་རབ་ཏུ་མི་གནས་པ། བཤད་རྒྱུད་བསམ་གྱིས་མི་ཁྱབ་པ། གསང་པ་གཉིས་སུ་མེད་པ། རྙོགས་པ་མེད་པ། མཚན་བརྗོད་དང་། དོ་ཧ་རྣམས་ཞུས། དགྲ་ནག་གི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། འཇིགས་བྱེད་ཀྱི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། ནི་རུ་པའི་སྐོར་གྱི་ཆོས་རྣམས་མ་ལུས་པ་ཞུས་སོ།&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I received from Kor &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Nirûpa&lt;/del&gt;: The source-tantra of Mahâmudrâ entitled [https://hridayartha.blogspot.com/2015/12/le-rab-tu-mi-gnas-pai-rgyud-un-tantra.html ''The Completely Non-Dwelling''] and its explanatory tantra: ''The Inconceivable'' ([https://hridayartha.blogspot.com/2012/04/linconcevable-bipartite.html ''acintyādvaya'']), ''The Nondual Secret'' (or ''gsang ba bla na med pa''?), ''The Untainted'' (''anāvila''), ''The recitation of the names'' (''mañjuśrīnāmasamgīti'' [https://read.84000.co/translation/toh360.html Toh 360]), some dohas, ''The Tantra of Black Yamāri'' (''kṛṣnayamāritantra'' [https://read.84000.co/translation/toh467.html Toh 467] or [https://read.84000.co/translation/toh469.html Toh 469?]) and its sadhana, the ''Tantra of Bhairava'' (''bhairavatantra'' [https://read.84000.co/translation/toh468.html Toh 468] or [https://read.84000.co/translation/toh470.html Toh 470?]) and its sadhana, as well as the whole of his own cycle of teachings.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I received from Kor &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Nirupa&lt;/ins&gt;: The source-tantra of Mahâmudrâ entitled [https://hridayartha.blogspot.com/2015/12/le-rab-tu-mi-gnas-pai-rgyud-un-tantra.html ''The Completely Non-Dwelling''] and its explanatory tantra: ''The Inconceivable'' ([https://hridayartha.blogspot.com/2012/04/linconcevable-bipartite.html ''acintyādvaya'']), ''The Nondual Secret'' (or ''gsang ba bla na med pa''?), ''The Untainted'' (''anāvila''), ''The recitation of the names'' (''mañjuśrīnāmasamgīti'' [https://read.84000.co/translation/toh360.html Toh 360]), some dohas, ''The Tantra of Black Yamāri'' (''kṛṣnayamāritantra'' [https://read.84000.co/translation/toh467.html Toh 467] or [https://read.84000.co/translation/toh469.html Toh 469?]) and its sadhana, the ''Tantra of Bhairava'' (''bhairavatantra'' [https://read.84000.co/translation/toh468.html Toh 468] or [https://read.84000.co/translation/toh470.html Toh 470?]) and its sadhana, as well as the whole of his own cycle of teachings.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Students=Khyungpo Neljor&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Students=Khyungpo Neljor&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sengue</name></author>	</entry>

	<entry>
		<id>https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=24054&amp;oldid=prev</id>
		<title>Sengue at 16:29, 15 September 2024</title>
		<link rel="alternate" type="text/html" href="https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=24054&amp;oldid=prev"/>
				<updated>2024-09-15T16:29:40Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 16:29, 15 September 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Name Variants=kor ni ru pa,skor ni ru pa,skor ni rU pa,kor nirūpa&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Name Variants=kor ni ru pa,skor ni ru pa,skor ni rU pa,kor nirūpa&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|PersonClassification=11th–13th&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|PersonClassification=11th–13th&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Article&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;See &lt;/ins&gt;[http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;article&lt;/ins&gt;]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the biography of Khyungpo Neljor, they met in [[Shomara]] before the first trip of Khyungpo Neljor to India. Kor Nirupa transmited him: ''phyag rgya chen po'i rtsa rgyud rab tu mi gnas pa / bshad rgyud bsam gyis mi khyab pa / gsang pa gnyis su med pa / rnyogs pa med pa / mtshan brjod / do ha / dgra nag gi rgyud sgrub thabs dang bcas pa / 'jigs byed kyi rgyud sgrub thabs dang bcas pa / ni ru pa'i skor gyi chos rnams ma lus pa''.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;་་་སྟོད་ལུང་ལ་ཡོང་། ལྷ་སར་བསྐོར། ཤོ་མ་རར་སྐོར་ནི་རུ་པའི་སྤྱན་སྔར་ཕྱིན་ནས། ཕྱག་རྒྱ་ཆེན་པོའི་རྩ་རྒྱུད་རབ་ཏུ་མི་གནས་པ། བཤད་རྒྱུད་བསམ་གྱིས་མི་ཁྱབ་པ། གསང་པ་གཉིས་སུ་མེད་པ། རྙོགས་པ་མེད་པ། མཚན་བརྗོད་དང་། དོ་ཧ་རྣམས་ཞུས། དགྲ་ནག་གི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། འཇིགས་བྱེད་ཀྱི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། ནི་རུ་པའི་སྐོར་གྱི་ཆོས་རྣམས་མ་ལུས་པ་ཞུས་སོ།&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the biography of Khyungpo Neljor, they met in [[Shomara]] before the first trip of Khyungpo Neljor to India. Kor Nirupa transmited him: ''phyag rgya chen po'i rtsa rgyud rab tu mi gnas pa / bshad rgyud bsam gyis mi khyab pa / gsang pa gnyis su med pa / rnyogs pa med pa / mtshan brjod / do ha / dgra nag gi rgyud sgrub thabs dang bcas pa / 'jigs byed kyi rgyud sgrub thabs dang bcas pa / ni ru pa'i skor gyi chos rnams ma lus pa''.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;་་་སྟོད་ལུང་ལ་ཡོང་། ལྷ་སར་བསྐོར། ཤོ་མ་རར་སྐོར་ནི་རུ་པའི་སྤྱན་སྔར་ཕྱིན་ནས། ཕྱག་རྒྱ་ཆེན་པོའི་རྩ་རྒྱུད་རབ་ཏུ་མི་གནས་པ། བཤད་རྒྱུད་བསམ་གྱིས་མི་ཁྱབ་པ། གསང་པ་གཉིས་སུ་མེད་པ། རྙོགས་པ་མེད་པ། མཚན་བརྗོད་དང་། དོ་ཧ་རྣམས་ཞུས། དགྲ་ནག་གི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། འཇིགས་བྱེད་ཀྱི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། ནི་རུ་པའི་སྐོར་གྱི་ཆོས་རྣམས་མ་ལུས་པ་ཞུས་སོ།&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I received from Kor Nirûpa: The source-tantra of Mahâmudrâ entitled [https://hridayartha.blogspot.com/2015/12/le-rab-tu-mi-gnas-pai-rgyud-un-tantra.html ''The Completely Non-Dwelling''] and its explanatory tantra: ''The Inconceivable'' ([https://hridayartha.blogspot.com/2012/04/linconcevable-bipartite.html ''acintyādvaya'']), ''The Nondual Secret'' (or ''gsang ba bla na med pa''?), ''The Untainted'' (''anāvila''), ''The recitation of the names'' (''mañjuśrīnāmasamgīti'' [https://read.84000.co/translation/toh360.html Toh 360]), some dohas, ''The Tantra of Black Yamāri'' (''kṛṣnayamāritantra'' [https://read.84000.co/translation/toh467.html Toh 467] or [https://read.84000.co/translation/toh469.html Toh 469?]) and its sadhana, the ''Tantra of Bhairava'' (''bhairavatantra'' [https://read.84000.co/translation/toh468.html Toh 468] or [https://read.84000.co/translation/toh470.html Toh 470?]) and its sadhana, as well as the whole of his own cycle of teachings.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I received from Kor Nirûpa: The source-tantra of Mahâmudrâ entitled [https://hridayartha.blogspot.com/2015/12/le-rab-tu-mi-gnas-pai-rgyud-un-tantra.html ''The Completely Non-Dwelling''] and its explanatory tantra: ''The Inconceivable'' ([https://hridayartha.blogspot.com/2012/04/linconcevable-bipartite.html ''acintyādvaya'']), ''The Nondual Secret'' (or ''gsang ba bla na med pa''?), ''The Untainted'' (''anāvila''), ''The recitation of the names'' (''mañjuśrīnāmasamgīti'' [https://read.84000.co/translation/toh360.html Toh 360]), some dohas, ''The Tantra of Black Yamāri'' (''kṛṣnayamāritantra'' [https://read.84000.co/translation/toh467.html Toh 467] or [https://read.84000.co/translation/toh469.html Toh 469?]) and its sadhana, the ''Tantra of Bhairava'' (''bhairavatantra'' [https://read.84000.co/translation/toh468.html Toh 468] or [https://read.84000.co/translation/toh470.html Toh 470?]) and its sadhana, as well as the whole of his own cycle of teachings.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Students=Khyungpo Neljor&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Students=Khyungpo Neljor&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sengue</name></author>	</entry>

	<entry>
		<id>https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=23995&amp;oldid=prev</id>
		<title>Sengue at 10:28, 10 September 2024</title>
		<link rel="alternate" type="text/html" href="https://www.shanpafoundation-resourcecenter.net/index.php?title=Kor_Nirupa&amp;diff=23995&amp;oldid=prev"/>
				<updated>2024-09-10T10:28:32Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 10:28, 10 September 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
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&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html Article]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Notes=The name Kor Nirupa usually refers to a master who has performed decades after the life of Khyungpo Neljor. The question remains open whether it is a master of the same name in the same place several generations before, or if other explanations are possible. [http://hridayartha.blogspot.com/2016/05/les-portes-derobees-de-la-mahamudra.html Article]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the biography of Khyungpo Neljor, they met in [[Shomara]] before the first trip of Khyungpo Neljor to India. Kor Nirupa transmited him: ''phyag rgya chen po'i rtsa rgyud rab tu mi gnas pa / bshad rgyud bsam gyis mi khyab pa / gsang pa gnyis su med pa / rnyogs pa med pa / mtshan brjod / do ha / dgra nag gi rgyud sgrub thabs dang bcas pa / 'jigs byed kyi rgyud sgrub thabs dang bcas pa / ni ru pa'i skor gyi chos rnams ma lus pa''.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;་་་སྟོད་ལུང་ལ་ཡོང་། ལྷ་སར་བསྐོར། ཤོ་མ་རར་སྐོར་ནི་རུ་པའི་སྤྱན་སྔར་ཕྱིན་ནས། ཕྱག་རྒྱ་ཆེན་པོའི་རྩ་རྒྱུད་རབ་ཏུ་མི་གནས་པ། བཤད་རྒྱུད་བསམ་གྱིས་མི་ཁྱབ་པ། གསང་པ་གཉིས་སུ་མེད་པ། རྙོགས་པ་མེད་པ། མཚན་བརྗོད་དང་། དོ་ཧ་རྣམས་ཞུས། དགྲ་ནག་གི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། འཇིགས་བྱེད་ཀྱི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། ནི་རུ་པའི་སྐོར་གྱི་ཆོས་རྣམས་མ་ལུས་པ་ཞུས་སོ།&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to the biography of Khyungpo Neljor, they met in [[Shomara]] before the first trip of Khyungpo Neljor to India. Kor Nirupa transmited him: ''phyag rgya chen po'i rtsa rgyud rab tu mi gnas pa / bshad rgyud bsam gyis mi khyab pa / gsang pa gnyis su med pa / rnyogs pa med pa / mtshan brjod / do ha / dgra nag gi rgyud sgrub thabs dang bcas pa / 'jigs byed kyi rgyud sgrub thabs dang bcas pa / ni ru pa'i skor gyi chos rnams ma lus pa''.&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;་་་སྟོད་ལུང་ལ་ཡོང་། ལྷ་སར་བསྐོར། ཤོ་མ་རར་སྐོར་ནི་རུ་པའི་སྤྱན་སྔར་ཕྱིན་ནས། ཕྱག་རྒྱ་ཆེན་པོའི་རྩ་རྒྱུད་རབ་ཏུ་མི་གནས་པ། བཤད་རྒྱུད་བསམ་གྱིས་མི་ཁྱབ་པ། གསང་པ་གཉིས་སུ་མེད་པ། རྙོགས་པ་མེད་པ། མཚན་བརྗོད་དང་། དོ་ཧ་རྣམས་ཞུས། དགྲ་ནག་གི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། འཇིགས་བྱེད་ཀྱི་རྒྱུད་སྒྲུབ་ཐབས་དང་བཅས་པ། ནི་རུ་པའི་སྐོར་གྱི་ཆོས་རྣམས་མ་ལུས་པ་ཞུས་སོ།&amp;lt;br/&amp;gt;&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I received from Kor Nirûpa: The source-tantra of Mahâmudrâ entitled [https://hridayartha.blogspot.com/2015/12/le-rab-tu-mi-gnas-pai-rgyud-un-tantra.html ''The Completely Non-Dwelling''] and its explanatory tantra: ''The Inconceivable'' ([https://hridayartha.blogspot.com/2012/04/linconcevable-bipartite.html ''acintyādvaya'']), ''The Nondual Secret'' (or ''gsang ba bla na med pa''?), ''The Untainted'' (''anāvila''), ''The recitation of the names'' (''mañjuśrīnāmasamgīti'' [https://read.84000.co/translation/toh360.html Toh 360]), some dohas, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the &lt;/del&gt;''Black Yamāri &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Tantra&lt;/del&gt;'' (''kṛṣnayamāritantra'' [https://read.84000.co/translation/toh467.html Toh 467] or [https://read.84000.co/translation/toh469.html Toh 469?]) and its sadhana, the ''Tantra of Bhairava'' (''bhairavatantra'' [https://read.84000.co/translation/toh468.html Toh 468] or [https://read.84000.co/translation/toh470.html Toh 470?]) and its sadhana, as well as the whole of his own cycle of teachings.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I received from Kor Nirûpa: The source-tantra of Mahâmudrâ entitled [https://hridayartha.blogspot.com/2015/12/le-rab-tu-mi-gnas-pai-rgyud-un-tantra.html ''The Completely Non-Dwelling''] and its explanatory tantra: ''The Inconceivable'' ([https://hridayartha.blogspot.com/2012/04/linconcevable-bipartite.html ''acintyādvaya'']), ''The Nondual Secret'' (or ''gsang ba bla na med pa''?), ''The Untainted'' (''anāvila''), ''The recitation of the names'' (''mañjuśrīnāmasamgīti'' [https://read.84000.co/translation/toh360.html Toh 360]), some dohas, ''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The Tantra of &lt;/ins&gt;Black Yamāri'' (''kṛṣnayamāritantra'' [https://read.84000.co/translation/toh467.html Toh 467] or [https://read.84000.co/translation/toh469.html Toh 469?]) and its sadhana, the ''Tantra of Bhairava'' (''bhairavatantra'' [https://read.84000.co/translation/toh468.html Toh 468] or [https://read.84000.co/translation/toh470.html Toh 470?]) and its sadhana, as well as the whole of his own cycle of teachings.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Students=Khyungpo Neljor&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Students=Khyungpo Neljor&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sengue</name></author>	</entry>

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